Coptic Binding // a tutorial

As a follow up to the book-binding classes we have been holding at the shop this month I thought that I would re-post this tutorial as a reminder of how to coptic bind books for those who have attended classes. If you haven't attended a class with The Elm Tree, let me say this:

  1. You're missing out. 
  2. Good luck understanding my instructions <--- genuinely. I have no idea if this makes sense.

This tutorial first appeared on my old blog ( http://lady-proteus.blogspot.com.au/2011/12/books-for-whatever.html ) 

I make books.
I make them because I like the idea of art being functional and so I put art on them, and sell them at The Elm Tree and my webshop (side bar link)
I also make all of my own notebooks, journals, and sketch books - it is such a personal thing for me - so I hope that these photos and instructions inspire you (and instruct you!) to make your own. 

What you need:

Scissors, glue, cardboard, waxed linen, a big ole needle (bookbinding or wool darning  needles are fine), an awl, and paper.

Gather together the paper that you want to make up the pages of your book. Fold them all half in groups of 5 or 6 ... or more or less. It really depends on what kind of paper you are using, if its really thin you can use more, if its thick - less. (logical) The folded bundles of paper are called signatures.

Cut two pieces of cardboard for your front and back cover. (make them a little bit bigger than the signatures) Now decorate them!  I have used some prints I made just for these books. But you can decorate them however you like. Wrap the cardboard in fabric, paper, paint it, leave it plain, whatever you like!!

Put your covers together with your signatures and when you have them lined up how you like, draw spots where you want to bind the book.
After making a couple of books I would suggest that you do it like this
 ---*--*--------*---------*--*--- (imagine this is the side view of a signature - the * is where the stitches will be visible) 

Using an awl, stab holes in each of your signatures (make sure they line up or you'll end up with a crooked book) I lay the signatures in an open book to make it easier to stab - it functions as a replacement for official cradles that hold the paper for you (and its the only use my old biology text books get these days... good on you university) Holes at corresponding distances need to stabbed in the front and back covers at least an inch from the edge.

If you get confused, stack everything back together like a book to see if it lines up.

Now you're ready to sew it all together! (enjoy the confusion of my instructions!)

The length of thread you need should be (approximately) height of the book x ( number of signatures + 2 ) ... I have 4 signatures, so I wrapped the thread around the front cover (top to bottom) till I had 6 lengths. Easy. (right?!)

Start inside your first signature, at the bottom hole.














Pull your thread through leaving just a little tail inside the book (enough to tie a knot)


Bring your needle through the corresponding hole on the front cover from the outside of the cover to the inside.
Then bring your thread back into the hole of the signature that you started at. (so it's just a big loop to tie the cover onto your signature)

Tie a knot.

Move up to the next hole up, and follow the same steps to attach the front cover to the first signature of your book don't worry about the knot though... that's just for the first one.

Continue up until you get to the last hole right at the top, sew the loop attaching the front cover to the signature and then do NOT bring the needle back into the signature.

Instead, make a small knot (if you can see in the photos how that's done) and then bring your needle from the outside into the top hole of the next signature.


Make sure you keep pulling your thread taught. If its loose your binding will be wobbly, and if it's too tight you could rip your paper (annoying) or end up with a book that sits open (also annoying though it does stretch out)
From the inside of your second signature move to the next hole down and bring your needle back out. With this type of binding you are always only really attaching each signature to the one in front of it. So loop your needle under the stitch holding the first signature to the cover, and then bring it back into the second signature - the hole where you started the stitch.  ------>


Keep doing this until you get to the last hole where again you just sew a little knot around the previous stitch and then move on to the third signature. (I hope these instructions are making sense... here are some more photos)




Keep going like this until you get to the end of your final signature. At this point you are just doing the reverse of what you did to sew the front cover on. From the outside of the final signature loop through the coordinating hole of the back cover and back inside the signature.

Sew down through each hole, attaching the back cover to the final signature. Loop through the last hole, then stitch a little knot inside the signature.


Done.




Art cards // A GIVEAWAY


My mum has pretty good ideas. At the end of last year she helped me get 10 of my illustrations turned into cards - just in time for the Dreamers Market. 
They have since become my best selling products. 

I am working on some new things, which I will get into more when I have some work to show you! 

I am running a give away on facebook (/eleanormccomb.art) and instagram (@eleanormccomb) and I would love to know which of these cards is your favourite. I have been really surprised by what images people identify most with, and it would help me out to know a little more about what people think of my work!

At the end of the month I will draw a name from all those who comment (on FB, IG or here on the blog) and they will win one of each of the TEN cards that I sell. Bonus entries for those who share the image (or this blog post) on social media. 

The cards are all pictured here - so take a look and leave a comment!

Thanks!!



The Elm Tree // Relaunch video

If I were a colour, I would be the exact colour that is painted on the back wall of the shop.


Pre orders // The Hipster Lumberjack



Getting my illustrations ready for printing seems to be a tragically chaotic process...
It should be a lot simpler.

The Hipster Lumberjack is heading off to the printer soon, so if you are keen to order one for yourself, send me through an email to eleanor.mccomb@gmail.com 

The print is on A3, but takes up the space of an A4 piece of paper.
All the prints will have either the blue shirt, or yellow shirt, - but if you want one that is 100% yours, I have a limited number of lino prints on 225gsm A3 that can be coloured.

Pre-orders (before April 5) get FREE SHIPPING Australia wide.

I will have more new work up soon in the shop (there is a new link in the side bar!) and if you go give it a click, you can buy the pictured print!

Yes. That's red riding hood again.



Maybe it is the workshop tables being set up in the middle of the shop, or the awesomely green wall, or maybe its just because I haven't done my own art for such a long time - whatever the reason - I have been making quite a bit of art recently.

Mostly lino prints... or rather. Rubber block prints.
I have blogged about how I work with this stuff before - it is so much easier to cut than lino or wood - and as I don't have a press, it is also easier for me to print.
Everyone who sees them tells me about how they 'did that in high school' and I am not sure why more people don't do it now.  After designing the print, there isn't a heap to think about and I kind of like the mindlessness of just cutting... I don't know what that says about me...

I thought I would share with you some process photos though.



 the initial drawing.

 the block (this is actually after printing the orange, and then cutting away the next layer.)
 ORANGE
the first print... aligning the prints is reaaaally difficult when you are just kind of eyeballing it...
 I kind of got the hang of it eventually.
 it seemed kind of unbalanced (too orange) so I added some extra white with this sweet gouache pen I got from Daiso.

The final print (original on the left the drawn on one on the right.)

A challenge



Challenging is one of those slightly euphemistic words that people use to politely describe things that suck. "Challenging" is what February has been for me.

This print is some of the only work that I have been able to produce this month and I kind of like it.
I could do with being a little more deliberate about the life that I am choosing to make for myself, planting the seeds that will grow into the trees that I want around me.

So I'm working on it.

One of the things that I am working on is cutting out plastic bags from the house. Plastic makes up an enormous amount of the rubbish that we have polluted our world with so I have started carrying tote bags around with me everywhere. I've printed them with pictures like this (because that's just me).

It is incredible how dependent we are on plastic bags. I still find myself bringing home bags from shops when I haven't remembered to mention it... but I'm getting there!

Do any of you use fabric shopping bags? fabric snack bags? alternatives to glad wrap?



Escape (the Australia Day long weekend)






After all of this, I felt claustrophobic and depressed when we came back to our apartment and it's cluttered balcony. The only nature we have here is a very determined infestation of moths and three pot plants in various states of senescence. I am sure the mint is not recoverable so really we only have two plants.

I feel like I am surrounded by stuff. Stuff without a place to be stored. Stuff with limited purpose.

I am more determined than ever to convert the store into a place for environmentally connected products. Things that are beautiful and useful. Things that last.  More determined too, to get rid of some of the build up in my house of abandoned craft efforts and small toys and clothing I don't fit and CDs of who knows what (why so many? and where did they all come from??) and the plaque caused by having too many hobbies.

--

This year I have been taking time every day to write down at least one thing that I am grateful for. It has made for a very happy year so far, though I recognise that it is still stressful and not without aggravation - I see every day something that I can hold onto and love and today I am grateful in hindsight for learning how to use a cameras manual settings (Thanks again, Analiese) and even though I am a complete noob, I am grateful for these moments - captured and filed - and attached to memories that are full of the sounds, and the smells, and the stories that go with these visual moments. 

And this face. I love this face... (these faces I suppose I should say)

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